It’s taken me this long in my illustration career to realise that a portfolio is – needs to be – a constantly dynamic thing. Thankfully, we illustrators very rarely need to carry around neat black folders of printed work any more: everything is online, and this is a much easier format for change.
That said, I resist it. I was upset a few weeks ago when I deleted my website’s portfolio section by accident. I still have copies of all the work, but making the selections of what to include is always a challenge. I was gifted the opportunity to start over, which I might never have done, and it turns out my portfolio needed a massive clear out.
So how did I pick what went in? I asked myself three questions:
Is it current?
I began by only looking at work from 2014 and 2015. Despite feeling like I’ve been ‘taking a break’ these last couple of years, I discovered I had created more than a portfolio’s worth of pieces that are strong, and reflect my current approaches (note the considerable delegation from team scratch board!). In the end, I did also choose one piece that was older to complemented my choices, but that’s all.
Am I proud of it?
Some people might advise against being so subjective, but I think it’s vital. It looked better as soon as I took out all of the piece I thought I should include, or that other people had like but I’d never felt so strongly about. I know sometimes feeling pride is challenging; we all have days when we feel nothing we’ve done lives up to our hopes (maybe try not to pick a portfolio on one of those days?). But I think we all also know what it feels like to be really chuffed with something. It felt good to pick only pieces like that.
Is it the kind of work I want to do?
There were some pieces that satisfied both of the above clauses, but that just didn’t quite fit. On analysis, these were all pieces created in coloured inks, and they were all very personal. I love this medium when working at my own pace, without pressure, when it doesn’t really matter if things don’t go to plan. But I feel nauseous at the thought of working in this medium for a client, therefore it does not belong my portfolio. What a relief!
Finally, I think the best thing I can do for my portfolio is keep it dynamic. In the end I have chosen 12 pieces, which you can see here, and 3 comics, which you can see here. But my plan is that this selection will continue to change to reflect my most current work, both by adding and by taking away.