Portfolio Pride

PORTFOLIO PRIDE

It’s taken me this long in my illustration career to realise that a portfolio is – needs to be – a constantly dynamic thing. Thankfully, we illustrators very rarely need to carry around neat black folders of printed work any more: everything is online, and this is a much easier format for change.

That said, I resist it. I was upset a few weeks ago when I deleted my website’s portfolio section by accident. I still have copies of all the work, but making the selections of what to include is always a challenge. I was gifted the opportunity to start over, which I might never have done, andΒ it turns out my portfolio needed a massive clear out.

Hardraw ForceBowerbird 3Lost Mitten

So how did I pick what went in? I asked myself three questions:

Is it current?

I began by only looking at work from 2014 and 2015. Despite feeling like I’ve been ‘taking a break’ these last couple of years, I discovered I had created more than a portfolio’s worth of pieces that are strong, and reflect my current approaches (note the considerable delegation from team scratch board!). In the end, I did also choose one piece that was older to complemented my choices, but that’s all.

DoodlesAlasdair Roberts PosterThe Courage To Be Me

Am I proud of it?

Some people might advise against being so subjective, but I think it’s vital. It lookedΒ better as soon as I took out all of the piece I thought I should include, or that other people had like but I’d never felt so strongly about. I know sometimes feeling pride is challenging; we all have days when we feel nothing we’ve done lives up to our hopes (maybe try not to pick a portfolio on one of those days?). But I think we all also know what it feels like to be really chuffed with something. It felt good to pick only pieces like that.

More Than YarnWell WishesOh the potential!

Is it the kind of work I want to do?

There were some pieces that satisfied both of the above clauses, but that just didn’t quite fit. On analysis, these were all pieces created in coloured inks, andΒ they were all very personal. I love this medium when working at my own pace, without pressure, when it doesn’t really matter if things don’t go to plan. But I feel nauseous at the thought of working in this medium for a client, therefore it does not belong my portfolio. What a relief!

A Comic for Jason MolinaGeorge

Finally, I think the best thing I can do for my portfolio is keep it dynamic. In the end I have chosen 12 pieces, which you can see here, and 3 comics, which you can see here. But my plan is that this selection will continue to change to reflect my most current work, both by adding and by taking away.

One comment

  1. Hello, I discovered your artworks today (a few hours ago, and I’m not sure how all that time passed by) and I just wanted to say – I love what you are doing.
    I didn’t get to read your comic book yet (just the preview), but I will when I get a chance! I also believe your style is indeed suitable for patterns, although I imagined it with the ink ones (just black and white), the one I saw was already interesting. And I really love your attention to detail and the use of various media.
    Thank you for sharing your art with the world, it’s very inspiring!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: