I’m always juggling work on the Green Bean with a hundred other things. This means I have to be super-organised in order to put out issues as regularly as I do (which truly isn’t very regularly at all!)
Every page starts with a rough pencil sketch, which varies from being very loose and open to precise and organised. Usually if there’s going to be writing I leave the space blank – I rarely plan what I’m going to write, just go for it spontaneously, which is why the sentences in The Green Bean are sometimes a little strange and full of typos. I try to do the pencil sketches in batches, say, of 5 double pages at a time. With the thinking part done, I can then dip in and out of inking those pages in between other the work over the course of a week or so.
When drawing the Green Bean, I work with 01 and 005 Micron pens, which I’ve found produce a very consistent line that scans well. I draws, perhaps ill-advisedly, on the same paper upon which Green Beans are printed. It’s 100% recycled photocopy paper that I buy in great reams, ploughing through several a month. I like how the surface takes the ink of the Micron pens, and I also like that it’s cheap and cheerful. I get horribly intimidated by expensive paper, and afraid I might never draw anything. The downside of my beloved copy paper is that it’s not made to last: after a year or two, especially if kept in the light, it suffers very serious yellowing. I happen to like the effect, but it means that my original drawings will never be worth very much as they’re not likely to be around in 50 years. Oh well.
These pages-in-progress are from the forthcoming Green Bean: Volume 4, Issue 3.